Tuesday 29 July 2014

How to Make Shadow Trapunto Quilts- Tutorial


 This shadow trapunto quilting tutorial is part of the series
shadow trapunto quilt tutorial
PIN this for later
Here is the shadow trapunto sample I stitched  for this tutorial.

shadow trapunto quilt tutorial

The shadow trapunto quilt has 5 layers. From top to bottom: organza (a sheer fabric), trapunto design made from batting (the white part), and the 3 layers of the familiar  quilt "sandwich".


This kind of shadow trapunto quilt is about contrast and texture -  the contrast made by the white of the batting with the fabric underneath and the texture created with batting.

Materials List for this small sample
- organza, top fabric, batting, backing :16''x 16''
- additional layer of batting for trapunto: 14''x14''

To assemble the pattern, cut on the dashed line of the first page and tape it to the second page.

Click on the picture to download and print the design
You need a thin paper - it is easy to stitch
through and tears away easily.
Place the organza over the batting.


A fluffy, thick polyester batting  works best for this technique.
Add the paper pattern on top of (organza+batting) and pin through all the layers.

Shadow Trapunto Quilts Tutorial

Stitch on the lines through all the layers, using water soluble thread.

Many quilters use water-soluble thread only in the needle (paired in the bobbin with a thread in a color that matches the fabric- in this case- white); but I like to use it in the bobbin too -  it means a few more dollars but less headaches with the thread tension, stitching mistakes or the bobbin thread showing on the top after washing the quilt.

If you don't have water-soluble thread at hand, you could try the technique with invisible thread- see how it works for you and decide if you want to invest in water soluble thread.

Remove the paper.

Here is the stitching on the front.

and the stitching on the back.


Cut the batting away 
around the design. The same tips I wrote about for the Trapunto tutorial apply to this step too- review the trapunto tutorial.

The hard tedious part is done.

View from the back
shadow trapunto quilt tutorial
View from the front
Now lay under the organza+trapunto design the layers of a regular quilt: top fabric+batting+backing.

shadow trapunto quilt tutorial
The top fabric will give color to the quilt and should contrast with the white of the batting.

shadow trapunto quilt tutorial
Now quilt as desired through all the layers- a dense quilting will make the design stand out even more.

On the trapunto design, stitch on top of the previous stitching done with water-soluble thread or just a little outside the stitching line. Keep the batting enclosed by stitching.

Then wash the quilt.


The design looks great- stitched twice, but outlined with a single stitching line, after washing.


This technique is explained with lots of details in my book.

Shadow Trapunto Quilts book

Cutting the batting away could be intimidating. It requires patience -  like any quilt technique; but using a few tips and the right tools,  you will enjoy it!
I LOVE IT! It's rewarding!

If you are afraid that you could clip the organza while you cut the batting away  -  yes, it happens; but the hole can be made invisible. This quilt below had a hole in organza, but I can't find it!

Shadow Trapunto Quilts Tutorial
Click to learn more about this quilt
Two quilts/and patterns from the book.

Shadow Trapunto Quilts Tutorial

Shadow Trapunto Quilts Tutorial

Shadow Trapunto Quilts Tutorial
One of my all time favorite quilts - a miniature 19.5'' square


I hope you like this technique and will give it a try!
Geta

See the other tutorials of the series here

Quilting tutorials


How lovely are Greta's Quilts?!

Tuesday 22 July 2014

Tutorial for an Easy Quilt Binding



The double border : my favorite method!

Baby quilt binding
Baby quilt

This is the method I find the best, and that I use every time I have to bind a quilt.

For a finished border of 8mm width, cut stripes of 5cm width. The length of the strip
will be equal to the perimeter of your quilt + 30cm (for the corners and the ending).

    Cutting

    Put two strips perpendicular on each other, right side against right side :


    Sew them diagonally :

    Sewing

    Trim seam at 1/2cm


    Open and press seam :


    Fold the angle :

    Fold angle

    Cut a 1/2cm :

    Trim seam

    Fold the strip on the whole length :

    Stripe folded

    To start, open the strip and sew it on the right side of the quilt,
     in the middle of one side, for about 7cm :

    Machine sewing

    Then fold back the strip and sew it all along the quilt :

    Machine sewing

    Stop at 1/2cm from the edge, cut the thread, 
    turn and go on sewing as shown :

    Corner

    To stop and start again, I use the smallest stitch possible,
    instead of a backstitch.

    Corner

    At the end, I push the end of the strip inside the place
    left open at the beginning :
    Ending

    And I go on sewing, backstitch to stop.

    Ended

    It is not important if there is a little fold on the wrong side
    as it does not appear on the right side :

    Turned border

    To finish, I turn the border on the wrong side,
    and sew it by hand.

    Border angle
    Finshed border

    I hope my explanations have been clear enough, and will have been of help for those who need. For the beginners, next time I will give some tips on how to hand sew this border on the back side.  

    Have a great week-end. Greetings from me.

    Christine



    See Christine Feldstein's brilliant blog.

    Wednesday 16 July 2014

    How to Finish and Bind a Quilt

    Monday, December 2, 2013


    For our final installment of the Virtual Quilting Bee, let's talk about finishing - or binding - a quilt. This is adding that final edge to cover the raw edges of the fabric after the quilt has been quilted. One option is to roll over the back fabric edges and sew them to the front to finish that edge. I personally like the look of a separate binding - gives it a clean finish. It's also a fun excuse to use another fabric and use it to finish off the final design.
    When I first learned to quilt, I was really nervous about learning to bind a quilt - and was amazed once I did learn how easy it was to make a really good looking binding. Now it's one of my favorite parts of quilting.
    Cutting the fabric: I like to do a double binding on my quilts - meaning there are two layers to the binding edge. This gives it an extra layer of fabric to hold up against wear and tear. To get this I cut my binding strips 2 1/2" wide. You can cut your strips across the width of the fabric yardage, or cut them on the bias, which means to cut them diagonally across the fabric.

    There are pros and cons to both methods. Cutting straight-edge is easier with less fabric waste. Bias bindings are sturdier because the fabric edge not being on the straight of grain. If you are going to have any kind of curved edge to your quilt, you will need a bias binding.
    I talk more about Bias Bindings in this post. Jaybird Quilts also has an excellent tutorial about Bias Binding and how to cut continuous bias binding.

    One determining factor for whether you cut straight edge or bias binding is the fabric itself. You may want to put a stripe or a gingham on the bias to make a diagonal design for the binding. The fabric I chose already had a diagonal motif, so I choose the straight edge to keep the diagonal design as is.
    When cutting a straight edge binding (or any straight strips of fabric) before you cut, make sure your selvage edges line up straight with each other. This may require refolding the fabric and pressing a new center fold. As you can see in the picture above, the fabric came off the bolt with the selvage edges not matched up.
    When selvage edges are matched up and straight, line up the center fold on a straight line on your quilting mat  (see arrow above) and carefully trim the edge to create a straight edge and therefore, a straight strip of fabric. (This step is important, otherwise your fabric strip could end up V shaped.)

    I generally cut my binding strips 2 1/2" wide, unless it's a small quilt when I might cut them 2 1/4" wide.

    For the Virtual Quilting Bee Quilt cut 7 strips 2 1/2" wide x 42" (or width of fabric) - or if you are using bias binding, you will need 275" of continuous bias binding.
    Trim selvage edges off of all strips and sew them end to end to create one long strip, pressing seams open (so you don't have bulk). Fold in half lengthwise and press.

    Using a ruler and rotary cutter and the quilt top as a guide, trim the excess batting and backing layers so that all edges of the quilt are the same. Be careful to keep the quilt's sides square.
    Pin the raw edges (non-folded-edge) to the raw outside edges of the quilt front. This is personal preference, but I then like to pin the entire binding to the quilt before I sew it down. This helps keep the binding taught and prevents potential wavy quilt edges later.
    To create a mitered corner on the binding follow the steps above (starting top left): When you come to the corner put a pin in the corner at a 45 degree angle. Fold strip to the side at that same 45 degree angle. Now fold the strip back on it self with the fold at the first edge of the quilt and matching up the binding edges to the edge of the second side of the quilt. Place one more pin on the new side at a 45 degree angle. This will create a little triangle flap of fabric in the corner. Repeat at all four corners.
    When the strip gets back around to the beginning fold the ends down so that the strips meet-up. Press with your iron to make a crease at both folds. 
    Trim both ends to 1/4" away from the folds. Remove pins, match up strips right sides together, pin, and sew seam right on pressed crease. Press seam open, refold strip and pin in place.
    Sew binding in place using a 1/4" seam allowance. I highly recommend using a walking foot if you have one.
    When you get to the corner keep flap down and sew until you are 1/4" away from the corner. Lift the needle, but do not cut the thread. Rotate the quilt and flip the little triangle flap so that it lies the opposite direction. Begin sewing next seam right at the edge of the last side. Repeat at all four corners. 
    When your binding is sewn to your quilt front fold the folded edge of the binding over to the back of the quilt and pin or clip in place. (I have finally started using Clover Wonder Clips which I really love - and so do the feet of my family members. Less worry about stray pins ending up in the carpet as I drag the quilt around to hand-quilt it.) 

    I suggest a matching thread and a sturdy needle. Hand binding goes much more quickly if you have a needle that is longer and heavier - and I can do it with out a thimble with a heavier needle too.
    After putting a knot in the end of the thread, hide the knot at the edge of the quilt where the binding will fold over and hide it. Bring the needle through the very bottom edge of the bias strip and tack it down on the backing fabric, right underneath where the needle came through. Then slide the needle through the backing fabric, behind the binding strip bringing the needle out the bottom edge again. This creates a blind stitch. Repeat!

    For more perspective and additional photos of the same method see this Binding a Quilt tutorial. Jaybird Quilts also has an excellent perspective on binding here, as well as information about calculating fabric requirements for binding.
    The quilting on this quilt was done by Melissa of Sew Shabby Quilting.

    Personally, I really like binding a quilt by hand because not only does it create a clean, blind finish, but it's also mindless sewing and pretty much the only time I sit down to watch a movie or TV. But binding a quilt by machine can be efficient and look equally clean and tidy. For more tips and explanation I have a Machine Binding tutorial here. There is another great machine binding tutorial by Cluck Cluck Sew.

    Some quick thoughts on washing your quilt: I personally love to machine wash my machine-quilted-quilts when they are done because they soften up a lot and have a more antiqued, crinkly look. If you've used cotton batting they are likely to shrink slightly more. (I don't machine-wash hand quilted quilts as liberally.)

    I wash the quilts on a gentle cycle with a very mild soap and dry on a low heat setting. If you're at all worried about color bleeding, the first time you wash a quilt throw in a Shout Color Catcher (available in the laundry aisle at the grocery store). Remember from our discussion on choosing fabrics for quilts, if you're using high-quality quilt fabrics, you should have very little worry about colors bleeding.
    If you have any additional questions about finishing a quilt, leave a comment and I will answer in them in the comments section below.

    And that wraps up our Virtual Quilting Bee series! For links to all the the posts in this series visit the Virtual Quilting Bee page. I'll have a few more shots of both of the quilts together once I get the Kona version back from the quilter. And I'm thinking it would be fun to have a little party to show off the quilts that have been put together using these tutorials. Let's wait until after the busy holiday season. So look for an announcement at the beginning of February!

    Thanks so much to all who played along as well as Moda and Robert Kaufman for sponsoring the fabrics I used.

    If you are looking for Happy Go Lucky fabrics - the fabrics I used in this quilt - they are still available at The Little Fabric Shop and Poppy Seed Fabrics.

    http://www.diaryofaquilter.com/2013/12/how-to-finish-and-bind-quilt.html

    Tuesday 15 July 2014

    Patchwork Quilts

    Patchwork Quilt
    A patchwork quilt, such as that shown to the left, is an item of bedding made of three basic elements. The quilt top, the middle layer of wadding or batting and the quilt back. These three elements are then quilted or stitched together so that the inner layer stays in place. Over time these basic elements have acquired more decorative aspects. The quilt top is the most decorative and is made up of different pieces or patches of fabric that form intricate patterns. The quilt stitching meanwhile has also become less functional and enhances and emphasises patterns on the fabric.
    Watercolour Railfence by Liz Sewell.

    Below is a patchwork quilt illustrating the main constituent parts